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In the L.A. classical music scene, the music comes first
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In the L.A. classical music scene, the music comes first

Critic's Notebook: New York and Minnesota's financial issues and cancellations stem from a lack of vision and commitment. L.A. is a different story.

It was said to have been a disastrous seven days for classical music in America. "Hell week" is what Russell Platt called it in the New Yorker last week.

New York City Opera declared bankruptcy and shut down. Minnesota Orchestra's music director Osmo Vänskä resigned in frustration over a contract dispute that forced management to cancel all of last season and, still unresolved, resulted in the cancellation of a high-profile tour to Carnegie Hall next month. Speaking of Carnegie, the country's most famous hall canceled its opening night gala last week because of a strike by the stagehands.

Yet the classical music mood in Los Angeles has been downright festive. The Los Angeles Philharmonic just concluded its usual no-drama contract negotiations and celebrated the 10th anniversary of Walt Disney Concert Hall in high style.

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